The lady with three kids
in the corner of the room yells:
“You want your ass warm?
I’ll beat your ass in front of anyone.
Don’t think I won’t!” She
screams as much for us
as for her doomed offspring.
This fleshy prodigy producer
should have taken a Do Not Reproduce
pledge, but no luck. “I’ll beat your ass,”
she bawls again, and I find us another
place to sit, far away from this
impresario of abuse.
Judy has to get another injection
for the relentless pain in her hips and back.
Her cane keeps a mordant rhythm while
we move to our new seats only to hear
the lady in the wheelchair by the fish tank
loudly proclaim, “What matters
is that you’re saved. The water
doesn’t mean a thing. You’re saved
what’s important!”
They take Judy for her injection and
I jam plastic buds into my ear canals,
hoping that Khachaturian will save me
from whaling fanatics and frantic
ferocious Medusas. When Judy returns
we go to lunch at the Regent Square Café.
I have bacon and eggs, she French toast.
The injection doesn’t work, her pain returns,
but the food is good, and the drive back
made marvelous by the green/yellow gleam
of sycamores that line our route home.
Charlie Brice is a retired psychoanalyst and is the author of Flashcuts Out of Chaos (2016), Mnemosyne’s Hand (2018), and An Accident of Blood (2019), all from WordTech Editions. His poetry has been nominated for the Best of Net anthology and twice for a Pushcart Prize and has appeared in The Atlanta Review, The Main Street Rag, Chiron Review, I-70 Review, The Paterson Literary Review, and elsewhere.Charlie Brice is a retired psychoanalyst and is the author of Flashcuts Out of Chaos (2016), Mnemosyne’s Hand (2018), and An Accident of Blood (2019), all from WordTech Editions. His poetry has been nominated for the Best of Net anthology and twice for a Pushcart Prize and has appeared in The Atlanta Review, The Main Street Rag, Chiron Review, I-70 Review, The Paterson Literary Review, and elsewhere.Charlie Brice is a retired psychoanalyst and is the author of Flashcuts Out of Chaos (2016), Mnemosyne’s Hand (2018), and An Accident of Blood (2019), all from WordTech Editions. His poetry has been nominated for the Best of Net anthology and twice for a Pushcart Prize and has appeared in The Atlanta Review, The Main Street Rag, Chiron Review, I-70 Review, The Paterson Literary Review, and elsewhere.
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