Friday, October 1, 2021

Letter from the Editor - Fall 2021

 Hello Cafe'ers


I honestly cannot believe that it is already October.  I feel that summer flew by exceptionally quickly this year... which is a shame, I truly love summer and I am not liking the fact that it gets dark earlier now and will continue to do so... I think I may already have the winter blahs and it's not even winter yet - ha!

At any rate, I have a pretty awesome issue for you - lots of great submissions both written and artistic.

If you or anyone you know would like to submit something for our winter issue - we are now taking submissions for that issue - email me at holidaycafe.nicole@gmail.com thank you.  Check out our Facebook group page too, if you get a minute.

I am also working on a side project and I am looking for artists, illustrators, editors, authors, publishers, etc. to interview for my YouTube channel... if you are interested, email me holidaycafe.nicole@gmail.com .  It has been a lot of fun talking with the talented folks I have met so far.


Stay safe and see you for the winter edition,


Nicole



Wednesday, September 29, 2021

Musings for Moms - Where to Begin...

I recently posted this on Facebook, "All I’m going to say is I don’t care if your child plays a minute or for the full game… it’s not about winning or losing it’s how you play the game that matters… RESPECT
I’m lucky that Liam’s (and Col's) coaches teach the boys how to win and lose gracefully and respect everyone on that field."

The reason behind the post, well, what I saw at a few games from both the referees and the other team was disgusting behavior.

First, I get it, being a referee is the last thing I would want to do - A LOT OF PRESSURE - but the past two seasons it's like the refs just don't care what is happening out on that field - and they are the only protection our kids have out there... let me repeat that - THEY ARE THE ONLY PROTECTION OUR KIDS HAVE OUT THERE.

They should be blowing that whistle for a lot more than a kid throwing in a ball and lifting his foot... and as of late that seems to be the norm.

Spitting is far worse than hitting - I would think even more so now with COVID... but the ref didn't see a player get spit on even after the players were saying the boy got spit on - game went on as usual....

Another game, a kid got seriously hurt when an opposing player leapt up and tackled the player - the ref started the game before a replacement player was even out on the field for the injured one. The tackeler didn't get removed nor did the coach go over afterwards to say anything to the other coach... you know find out how seriously injured the kid was.

When did we become such a ruthless society? One that doesn't give a crap about anything else other than ones-self?

I think everyone needs to step back and reassess some things right now...

1. If referees don't want to make the tough calls - do not go out on that field. It may be easy money for you - but it is not worth it if you won't do what you are actually supposed to do out there...

2. Coaches - it is time to stop winning at any cost. Teach your players how to win without injury and cheating. Teach the players how to lose gracefully because let me tell you - life is full of both wins and losses and the kids that can't lose - well, it's not good.

3. Parents - please don't yell things like "do it again" or any of the other colorful phrases that are blurted out - after a kid is injured and you can hear him screaming in pain... It's tacky.


And that is all I got to say about that.... It really isn't I have so much more to say - but I am stopping myself.


The Bank Job

Circa 1850


“I hear you need a good teamster,” John Shelley said as he walked into the stable that doubled as an office.

“Yeah,” Bill Deane replied. “Do you have experience with horses?”

“Yes sir,” John said. “I was raised on a farm. I’ve handled two and four horse teams. What do you have in mind?”

“I need someone to help me do a bank job.”

“A what?” John said. 

“A bank job,” Bill replied. 

“Sorry, sir,” John said, turning to leave. “But I don’t do anything illegal.” 

“Hold on,” Bill replied with a chuckle. “It’s a delivery job. My company has been hired to deliver a big cast iron safe from the train station to the basement of that new bank downtown. It’ll be the bank’s main security for money and other valuables.

“We need a four-horse team to lower the safe down a special ramp we’ve had made. You said you have experience with four horse teams?”

“Yes, sir, I do,” John said. “If you have the team, I can do the job.” 

“A portion of the bank building’s foundation has been removed for us to deliver the safe. Crews will be standing by to restore the foundation and replace the soil once the safe is in place.”

“Looks routine,” John said.

Early on the morning of the delivery, John drove the four-horse team to pick up the big safe and bring it to the site on a low-slung heavy-duty wagon. A crew helped unload it at the top of the ramp and secure it to the horses’ harness with specially designed heavy-duty leather straps. John guided the horses as they began to lower the safe slowly down the ramp to the basement. 

All went well … at first.  

The safe was part way down the ramp when Shelley heard a loud ‘crack’. At first, he thought it was a gun shot. The straps holding the harness to the huge metal safe had broken. The safe began rolling down the ramp on its big iron wheels, gaining momentum as it went. No one dared try to stop it. The safe was moving at a brisk pace upon arriving at the cement floor. It went barreling across the room, the intended location, and crashed through a sturdy brick wall beyond, where it stopped. 

Startled workers rushed down the ramp, through the basement opening and approached the scene, preparing to survey the carnage. There, amid clouds of dust they found the safe, by some miracle still upright.  

It had crashed into the studio apartment of the recently appointed bank clerk. And there it stood, towering over the foot of a large double bed occupied by the bank clerk and a young woman, clutching bed sheets to her chest. The crew quietly turned and left the basement. They never learning her name. 

#


 James Osborne is the author of five books including the Amazon #1 bestseller about ISIS and al Qaeda, THE ULTIMATE THREAT . His short stories have been published in dozens of anthologies, magazines, and literary and professional journals, as well as in a collection, ENCOUNTERS WITH LIFE.

Osborne’s varied career includes investigative journalist, college teacher, army officer, vice president of a Fortune 500 company, business owner, and writer/editor.



Wednesday, September 22, 2021

Kim Malinowski - Author Interview

 1. Tell us a little about yourself 

I am Kim Malinowski and I am a lover of words. I read the dictionary in the second grade and the thesaurus in the third. I earned my B.A. from West Virginia University, my M.F.A. from American University, and I studied with The Writers Studio. I am bipolar and have a litany of anxiety disorders. One medication that was used to treat my bipolar disorder caused aphasia for almost five years. I was humbled by the sharp difference between holding an M.F.A. and all of the writing dreams that went with it and the lack of any dreams when I could not even read a picture book. My medication was switched and taught myself to read and write again. Not everything I say or write is perfect because of this. But on the converse side, I write better with the new techniques I have taught myself (colored pens and word magnets) than I ever did even during my M.F.A. program. I have even begun teaching these techniques. I believe that I have been given a second, or even third chance, and that I will not waste it. My motto is “write like the stars will shatter like glass tomorrow.” I live like they will.


2. Tell us a bit about the book

My book Home was published by Kelsay Books in March 2021. The collection focuses on where home is and with whom it resides. I have been told by readers that is a book dealing with grief as well. The title poem, “Home,” begins in North Dakota where my grandfather was born and focuses on my narrator’s place or lack thereof in that world. The book travels through ancestors, grief, fitting in, and ends with a poetry sequence about a widow trying to find herself again after her husband’s death without losing her treasured memories. 


3.  What inspires your writing?

Daily life, adventures, writing workshops, history, folk lore, and my neo-pagan path all influence if not inspire my work. I always push my own boundaries and have started writing prose as well as poetry. I write atrocity and mental health poetry as well as speculative fiction and poetry.


4. Do you have a ritual when you write, favorite place to go or certain things you do before writing?

Before the pandemic, I would answer my living room or the local Starbucks. Now, I say my car and the McDonald’s parking lot. I do not joke that my next book will be dedicated to my local McDonald’s parking lot that greeted me several times a day during the pandemic and was not illegal to travel to. In terms of other rituals, I am all about the ‘right’ journal for the piece I am writing. I am in love with junk journals, and these allow me to get past writer’s anxiety. I do not believe in writer’s block. I have special journals for every project. I’m embarrassed to even try to count how many journals I have—but they all have a mission in my writing.


5. What’s next for you?

I have seven full collections, mostly novels in verse, that I am trying to find publishers for. I am a host and teacher on the Mighty Networks site The Terra Nouveau Lyceum and I run a writing portal in Moon Feather Hollow, also on the Mighty Networks. I teach “Hybrid Shorts” monthly for the Montgomery County Public Libraries, and I have been guest teaching at The Poetry Salon. I also am a blogger for borrowed solace.


6.  Where can we find you on social media?


My website is www.kimmalinowskipoet.com

My Facebook Author account is Kim Malinowski

Twitter Handle: @KimMalinowski3

Instagram: malinowskikim

The Terra Nouveau Lyceum (mn.co)

Moon Feather Hollow (mn.co)


7. Where can we find your book?


kelasybooks.com, Amazon, and most retailers.


Nora Kudis - Artwork


Ready for Fall 










Lilo's Halloween


Nora Kudis is a freshman at TJHS, and she likes to do digital art.  Her art account on Instagram is @nora.__.art and she is currently taking commissions! Nora hopes to become a Disney Imagineer or an illustrator when she is older.



 

Marjorie Maddox - Author Interview

 1. Tell us a little about yourself.

I’ve always wanted to be a writer, at least after my little-girl desires to be a combination ballerina (I’m a klutz) and farmer (I kill everything I try to grow). I was fortunate to grow up in a supportive family,


who encouraged reading and writing, and I published my first poem in Campfire Girl Magazine when I was 8. (It was not great, but I persisted.) You may read more about my poetry journey here: https://medium.com/authority-magazine/professor-marjorie-maddox-of-lock-haven-university-five-things-you-need-to-write-powerful-and-12967b3a8748

I received my M.A. in English with a Creative Thesis at the University of Louisville and was Sage Graduate Fellow at Cornell, earning an MFA. I have been Professor of English and Creative Writing for over 30 years at Lock Haven University in Pennsylvania and have published 11 collections of poetry—including Transplant, Transport, Transubstantiation (Yellowglen Prize); True, False, None of the Above (Illumination Book Award Medalist); Local News from Someplace Else; Perpendicular As I (Sandstone Book Award)—the short story collection What She Was Saying (Fomite); four children’s and YA books—including  Inside Out: Poems on Writing and Readiing Poems with Insider Exercises (Finalist Children’s Educational Category 2020 International Book Awards) and A Crossing of Zebras: Animal Packs in Poetry, Rules of the Game: Baseball Poems , I’m Feeling Blue, Too! (an NCTE 2021 Notable Poetry Book)—Common Wealth: Contemporary Poets on Pennsylvania (co-editor); Presence (assistant editor); and 650+ stories, essays, and poems in journals and anthologies. I am the great grandniece of Branch Rickey, the general manager of the Brooklyn Dodgers who helped break the color barrier by signing Jackie Robinson to Major League Baseball. My husband and I live in Williamsport, PA, home of the Little League World Series. We recently became empty nesters, with our historian son and artist daughter graduated from college and out in the “real” world!

The chair of the jury of judges for the 2020 Lee Bennett Hopkins Poetry Book Award, I love giving in-person and Zoom readings and workshops around the country. In addition, I’m delighted that my book Begin with a Question (Paraclete Press), as well as my ekphrastic collaboration with photographer Karen Elias, Heart Speaks, Is Spoken For (Shanti Arts), are forthcoming in 2022. For more information, please see www.marjoriemaddox.com 

 

2. Tell us a bit about your newest books.

With my perfect timing (not), I had two books published in 2020 during the pandemic. Still, I’m very excited to have these books in the hands of children, tweens, teachers, and lovers of poetry.

Inside Out: Poems on Writing and Readiing Poems with Insider Exercises (Finalist Children’s Educational Category 2020 International Book Awards)

Based on my 30+ years as a teacher of poetry at the university, secondary, and primary levels, this book was a lot of fun to write! Inside Out: Poems on Writing and Reading Poems teaches writing from inside the poem, with plenty of tips and tricks for first-time poets, avid authors, students, and teachers.  Chat with Personification, dance with Iambic, fish with Sestina, and text with Triolet. In twenty-seven poems and Insider Exercises, this book jump-starts your writing. (Young adults, 8—14, and their teachers).

Want to know more? Here’s a quick video introduction to the book: https://youtu.be/BGuuoKoxT9M

And you may find lots of reviews and recordings here: http://www.marjoriemaddox.com/inside-out-description-and-reviews


I’m Feeling Blue, Too! (an NCTE 2021 Notable Poetry Book)

Illustrator Philip Huber and I collaborated on an earlier book A Crossing of Zebras: Animal Packs in Poetry, a lively interactive book on collective nouns. It was great fun to join forces again for I’m Feeling Blue, Too!

I’m Feeling Blue, Too!—with its twelve riddle poems and fourteen illustrations—turns the “can’t-do-nothing” blues into an exciting exploration of inspiring color. Climb inside a spinning bubble, grab some sky from high above a trampoline, dive into the swirling ocean waves, stack a tower of dreams, and ride far into the night with a courageous knight. This book encourages kids to stop moping and start looking. In this book, the riddles and action all focus on the color blue. The book was named a 2021 Notable Book of Poetry by the National Council of Teachers of English.

Here’s a brief video introduction: https://youtu.be/Sqdd59c4cW8 and here’s a discussion with both the author and illustrator: https://www.dropbox.com/s/qa5m87fcv9v5n0h/2020-06-22-author%20event%20%281%29.mp4?dl=0

For additional interviews and reviews, check this out: http://www.marjoriemaddox.com/new-page-4


3. What inspires your writing?


The short answer is “life.” As writers—and as human beings—we are called to be witnesses of this world. And so, inspiration is all around us, whether it be a human interest story in the local newspaper, a small moment of joy, or tragic events of natural disasters and Covid-19. I especially am interested in the intersection of body, spirit, and medicine—my book Transplant, Transport, Transubstantiation (Yellowglen Prize)—focuses on my father’s unsuccessful heart transplant—but I also write about literature, teaching, and writing; art; baseball; faith; current events, as well as anything that captures my interest on a day-to-day basis. I write poetry, fiction, creative nonfiction, and children’s literature and am always switching things up a bit. I’ve got lots of projects on back burners, that’s for sure. 


4. What do you think is the most difficult thing about writing?

Conquering that blank page or screen. I’ve found it important to give myself permission to write a lot of bad poems before I get to the better ones. 


5. What’s next for you?

I am currently sending out a manuscript that focuses on my mother’s dementia, among other topics. The manuscript also explores the ways that we distort or preserve memory, define or alter reality, and see or don’t see those around us on both a personal and national level. Woven throughout the collection is a series of odes.

And I’ve got some new children’s manuscripts in the works.


6.  Where can we find you on social media?


Web site: www.marjoriemaddox.com

Facebook: Marjorie Maddox, Author

Twitter: @marjoriemaddox


7. Where can we find your books?


Thanks for asking! You may find links to all my books on my web page: www.marjoriemaddox.com


For my two newest books:

Inside Out: Poems on Writing and Reading Poems with Insider Exercises is available from Kelsay Books, Barnes and Nobles, Amazon, and Bookshop.com

I’m Feeling Blue, Too! is available from Wipf and Stock, Amazon, Barnes and Nobles, and Bookshop.com


Susan diRende - Artwork


Maple Seeds

Ghost Light


 






Dry Creek Bed


Susan diRende’s writing has received recognition from the Philip K Dick Awards, Artists Trust, the Seattle Arts Commission among others. Her artwork has been in shows in New Zealand, Belgium, Mexico, and the US. Recent publications include The Dewdrop, the Pine Hills Review, and The Gaze Journal. She travels the world with no fixed abode.

A Pause in the Past (excerpts from the memoir, Second Wind: running away at 60)

 I called it my Vagabond Year, imagined it as an journey of rebirth and renewal, though some part of me knew it was also a flight from a self turning 60 with disappointed dreams. I’d spent a summer in New Zealand while the States went through winter. Then a second summer traveling around the United States to all the places I’d lived in my life. After a few weeks on the East Coast at my sister’s house readying for my launch across the Atlantic. I planned to finish my wandering year in Europe where my family still had ties and where I’d been happy studying and living abroad.


I watched the trees drop their foliage as I packed bags for my immanent departure. The weather may still have been hot, but the autumnal rains had come, pounding the leaves into mulch, burying the seeds and berries. As the leaves that hid their nature fell away, the trees announced themselves, their weight, their strength. All their budding, greening, and withering was just for show. The truth was in the sky peeping through or shining past the upright sentinels like the rays behind the heads of saints. When the branches were bare, the dance between them was clear. Subject and space carving patterns of wood and light.


My October 2 birthday loomed, the big 60, while I lingered at my sister’s house alone. She’d gone on a trip with a friend, and they wouldn’t be back by the actual day.  So I did what I’ve done more and more as I get older: I decided to take a solo trip and make a solitary celebration. I rented a car to go visit my alma mater in Williamsburg and drove off in the rainy morning mist.


I’d lived in Williamsburg twice. My family moved there when I was 2 and left when I was 7. Ten years later, I returned for college. 


The childhood memories are fractured and spare. My brother, Mikey, figured large in them, larger than my sisters being closer to my age. In the 50s haven of a brand new house in the new Skipwith Farms development, when I was four and my brother was nine we played unsupervised outside in the wooded lot next to our house. 


Mikey had a BB gun and hunted birds. I tagged along with what in memory was a dreamlike quiet and floating detachment. We visited the corpses of past kills and he hunted for new ones. I learned the phases of bird decay as they returned to the earth bit by bit. I cannot find the remnant of any thought I had looking at the dead birds. Perhaps I shut my wondering mind because of what I might see. My young self, like my grown self, was small and quick. My voice light and high. I still chatter aimlessly like a bird sometimes. I was a surprise baby and had dethroned the young king at 5, and I suppose his heart still resented what I took from him.


There was my mother’s dog, a Welsh Terrier named Belle. She bit my father once when he was raging at my mother. My father never forgave the dog, even after she chased off an intruder who came with smiling menace into our house while my mother and I were there alone. The sound of Belle’s low growl and her nails scrabbling on the hardwood floor upstairs sent the man out the door in a hurry. My mother adored her but when we moved away, my father insisted we leave her behind. My mother found a farm where the widow doted on her, but still she wept bitterly over leaving Belle behind.


This was the second abandonment my mother agreed to. The first was of my eldest brother, Joe Paul, who had gotten meningitis at six months and the fever fried his brain. Mother spoke of the light dulling in his eyes, of the doctor weeping and telling her he would always be a “vegetable.” She kept J.P. at home, refusing to institutionalize him as a baby. J.P did learn to walk eventually with a lurching gait, canted to one side but upright on his own. He learned to speak and dress and every picture of him shows a happy boy.  We now know it was the institutions that robbed even undamaged children of growth. Certainly, the heroic efforts of my mother allowed him to fill out as much of his potential as remained. By age fourteen he had developed to about a four-year-old level and could speak and walk and dress on his own.


But just before we moved to Williamsburg, at the urging of the family to consider the happiness of her other four children, Mother agreed to have him institutionalized. This was in part because J.P. was entering puberty and my mother was not sure how to handle it. But also because of the times. Handicapped children were not seen or heard of in 1950’s middle-class America, as if they didn’t exist. So the family minus one had packed up and headed south. 


My college years in Williamsburg were, by contrast, a remarkably uninteresting time. I was only 16, vain to have matriculated so young but otherwise having no idea why I was in college. I went because to not go would disappoint my parents. I majored in drama, secure in the expectation that I would be welcomed and nurtured as I had been in high school. The theater department did have its stars, but I was not one of those few students the faculty designated as talented. I did have an amazing year, a period of enormous growth, when I spent my junior year in Montpellier, France. But really, I couldn’t wait to graduate, certain that once I left, I’d never set foot in a classroom again.


For all these layers of personal history in Williamsburg, returning there on my 60th birthday was a hollow experience. The Wonder Bread world of the 50s was as gone as Shakespearean England. I had lived it but could not relive it. The house in Skipwith Farms was stately with age, the wooded bird graveyard had a house on it. As for the people in those memories, only my two sisters remained of my birth family. My anchors to the childhood era - my brother, my parents -had evaporated.


I visited the theater building where I spent most of my undergraduate years. It was too early in the semester for the frenzied preproduction activity that would keep students and faculty there at all hours. I wandered through the empty rehearsal rooms, scanned the walls of photographs from past productions, finding the black and white ones of shows I had been in. They were flat and faded like some Depression Era artifact. 


The theater stage was dark, with only the lone ghost light shining from center stage. Undergraduate school was a time of intense emotional pain for me, no doubt mostly self-inflicted with of the misery of unmet desires. There again, at the remove of decades, I found a null space. It turns out the the residue of misery is nothingness. Emptiness. As if misery eats the years where it lived leaving nothing behind but stolen time. 


It was raining when I walked out in the evening. I drove into Colonial Williamsburg and treated myself to a birthday dinner at Chownings Tavern. The costumed performers, theater students from the college no doubt, played minstrel and server. I ate alone and paid, taking no souvenirs. 

Susan diRende’s writing has received recognition from the Philip K Dick Awards, Artists Trust, the Seattle Arts Commission among others. Her artwork has been in shows in New Zealand, Belgium, Mexico, and the US. Recent publications include The Dewdrop, the Pine Hills Review, and The Gaze Journal. She travels the world with no fixed abode.

Is My Tree Dying or Dead?

 I try to channel the memory
of my ancestors, search
with stunted roots in soil
too virgin to be fertile.
I cannot drink their wisdom
scrape only the surface
of their histories while time
burns our tenuous connection
severs me from the ancient
power of past generations.
A lone branch
on a barren family tree.


Gabby Gilliam lives in the DC metro area. Her poetry has most recently appeared in Tofu Ink Arts Press, Tempered Runes Press, Cauldron Anthology, and the anthology “Medusa Rises'' from Mythos Poets Society. You can find her online at gabbygilliam.squarespace.com.

Wednesday, June 30, 2021

Letter from the Editor - Summer 2021

 Hello Cafe'ers


Happy summer everyone.  

Hope everyone is doing well.   We have a great issue full of interviews and artwork.  

As always, send in submissions to holidaycafe.nicole@gmail.com thank you.  Check out our Facebook group page too, if you get a minute.

I am looking for artists, illustrators, editors, authors, publishers, etc to interview for my YouTube channel... if you are interested, email me holidaycafe.nicole@gmail.com ... The first interview is up, check out the article in this edition of the Cafe to see the interview of Angele Ellis.

Wishing everyone continued good health, stay safe

Nicole


The Holiday Cafe

Gene Stovall - Musician

Photo Credit: Arabella Stanescu in Düsseldorf, Germany; Fall 2020



Gene Stovall, a breath of fresh air in the world of art. If I had to compare my brain to anything it would be a computer that has a trillion browsers open all day and every day. It’s refreshing talking to Gene because he is focused on what he wants. He knows what he wants, detail-oriented and passionate about his craft. 

Gene writes and records music, is an instrumentalist as well as a vocalist, and works the theatrical stage.


1.) Where does your passion for music stem from?

My passion for music comes from being exposed to vibrant pop music since I was a small child... especially channels like MTV, BET, and The BOX (also known as The Jukebox Network and later becoming MTV 2). 


2.) Who are your biggest musical influences?

My biggest musical influences are (in no order) Prince, Stevie Wonder, Kurt Cobain, Nirvana, Sarah Vaughan, Frank Sinatra, Bob Marley, MF Doom, Jodeci, Teddy Riley, Aaron Hall, The Talking Heads, Mint Condition, Carol King, Dilla, A Tribe Called Quest, Stone Temple Pilots, and Wu Tang Clan. 


3.) Describe the difference between the Pittsburgh music scene and in Germany (where you have taken residency).

It's hard to describe the differences between the music scenes in both Pittsburgh, PA and Cologne, Germany. We’re in lockdown here, so many of the bars and clubs are closed for good. The music scene is online right now, so you can do it from any and everywhere that gets a signal. 


4.) What are your thoughts on streaming music versus physical copies?

Good question. I love the idea and act of streaming music because I can play whatever I wanna hear whenever I want to hear it. Streaming is an awesome thing. But, I’m actually from the time of cassette tapes. I used to have somewhere between 10 to 15 tapes in my book bag at any given time. If the tapes were loose in the bag or out of the cases, they would get damaged and often times would stop playing. Portable CD players were expensive back then, but I found a way to get one. Then, I was all about CDs but the same things would happen to the CD packaging in my bag. 

I loved the artwork that came with all of my purchases of tapes, CDs, and vinyl records. I buy vinyl every now and then, and will play the records all the way through while examining the album covers and packaging the comes with the vinyl. My first physical copy of any sort of recorded music was the vinyl album ‘Ice Cream Castles’ by Morris Day and The Time;  which served as a second soundtrack to the movie ‘Purple Rain’ with Prince, Apollonia, and his band The Revolution. My mom got me the ‘Purple Rain’ tape a week or two later. 


5.) Besides music is there any other artistic interest that you enjoy?

I try my hand at all types of art related projects. I figure since we all only live once, I would like to experience as much as I can of what this life has to offer. My dream is to finish a screenplay that I started writing in 2008 and actually produce it for all to see. I would direct it as well, but I wouldn’t be a star in the film. In my mind, I’m a great actor but in real life I’m not so good at all. Haha. 


6.) If you were able to collaborate with one person who would it be and why?

This is another good question that makes me wanna have a proper sit down in a very comfortable chair and think for a moment about how best to answer this question. Here goes..

I would collaborate with filmmaker Wes Anderson in the same way that Owen Wilson did on the first three Wes Anderson films. If I could choose someone who has passed on, I would want to collaborate with playwright August Wilson. I do have a TOP 5, but we can visit that at another time. 


7.) What are your latest projects you are working on?


PROJECTS I HAVE IN THE WORKS:

Geenpool Music:

I have a 20 track album coming in late June of 2021 called ‘AHA’, or ‘AcuteHyperActivity’ that will feature a mix of previously released Geenpool singles and new recordings from my very own Stovallian Studios, located in Cologne, Germany. 


Alien Facez:

I write, perform, and produce music for an Alternative Hip Hop group called Alien Facez. We mix genres and experiment with soundscapes as we develop our customized Hip Hop sound. 


DapDum Eurozone Music Magazine:

I partnered with Dap Dum Productions and Publishing to create a page that functions as an online magazine that supports the development of the upcoming singer/songwriters and overall underground recording artists that I’m finding on streaming platforms like Spotify, Apple Music, YouTube, SubmitHub, and Instagram. I write my music reviews as ‘Geno Penman’ just so I can differentiate between my personas. 


Pullover Rivers Radio Program:

I started a radio show on 674.fm, an internet radio station located in Cologne, Germany. It’s called the Pullover Rivers Radio Program and I produce and host it; with help from my moderator, Céline Rudelle.

For more information on Gene please check out the information below:

 

OFFICIAL WEBSITE:

 

https://www.geenpool.com/

 

BANDCAMP:

 

https://genestovall.bandcamp.com/

 

GEENPOOL SPOTIFY:

 

https://open.spotify.com/artist/48xtC4bpxnEks76dyzfCpu?si=U37Qf4NzTu-_qUNhDWB3Qg

 

GENE STOVALL SPOTIFY:

 

https://open.spotify.com/artist/5W9sSFH4w0bRDzyG4iEzae?si=MbbsN1wNTKactHVFYwvYOg

 

Geenpool Music (GeneStovallTV) YouTube:

 

https://youtube.com/user/GeneStovallTV

 

 

GEENPOOL FACEBOOK:

https://www.facebook.com/geenpool.fanpage/

 

INSTAGRAM:

 

geenpool_music dapdum_eurozone pullover_rivers_radio_program

 

Natalie Belin is the author of The Many Colors of Natalie, a book of poetry.  She holds an associates degree in Specialized Technology Le Cordon Bleu Pastry Arts and in her spare time is an artist and percussionist.

Carylee Carrington

I have had the pleasure of chatting with Carylee via Zoom recently and I just had to interview her.  She is such a positive person and I just love what she is doing with Read with Carylee... 





1.        Tell us a little about yourself.

I’m Carylee Carrington, author, entrepreneur and literacy advocate. I live in Northern Virginia with my two amazing boys, where I enjoy an active lifestyle. Originally from the island of Jamaica, I grew up in New York City, before making Northern Virginia my home. I am, to some, known as the “accidental author,” because this was not where I thought my path would lead. Though I love writing, being a children’s author was the furthest thing from my mind.

In addition to my authorship, I am also an enormous supporter and advocate for the arts. I have visited schools in Virginia and Georgia, encouraging the love of reading and the art of writing as well as self-publishing. I have also expanded my love for sharing books to other media platforms such as YouTube. In 2019, I created the show, Read With Carylee, where I introduce my audience to children’s book authors, who share their books in their own voice. This helps me to continue to bring positive inspirational books to children, encouraging them to believe in their dreams and be the best version of themselves. It is my hope to continue to promote these positive messages, so that our children may grow to be strong individuals and lead the charge for a kinder and more loving future.


2.       How did “Read with Carylee” begin?


Read With Carylee started after I saw how children reacted to meeting me on author visits. I loved


seeing how they lit up, knowing that I wrote the book that was read to them. I wanted children to have the experience of hearing the book from the authors. I feel that is a great experience.


3.       Tell our readers what “Read with Carylee” is


For those who grew up with Reading Rainbow, Read With Carylee is an adaptation of that. It is a show that encourages the love of reading and helps children connect with authors. 

One of the major factors that I promote is diversity in children's literature. The authors who appear on Read With Carylee are from all cultures and backgrounds. They write books for the children around them. We get to learn about different cultures, children with varying abilities and embrace the differences of others.


4.       How many authors have you had on your show, and does anyone stand out?


I have had over 90 authors on the show. We are actually nearing our 100th episode and we have so many more great authors to come. 

I couldn't choose just one author, they are all great in their own way. They have the passion and drive for children's literature and they are giving back to the community at large. They are all great.


5.       What has been your favorite experience so far with “Read with Carylee”?


My favorite experience so far has been connecting with authors from all around the world. When I started the show, I never thought I would be connecting with authors from as far as Australia. That has been amazing.


6.     Have you had to deal with any impossible guest readers?  How did/do you handle that?


I haven't had to deal with anyone impossible. Every author has their own style. There are some that are super energetic and there are some who are shy. Just like their books, the personalities vary and I believe that is also a great lesson for children; there is not just one type of author and hopefully the audience will be able to see themselves in an author as well.


7.       Where can our readers find you (social media links)?


Readers may reach me at Instagram.com/readwithcarylee, Facebook.com/readwithcarylee, Twitter.com/readwithcarylee and readwithcarylee.com 


Nicole Leckenby is the co-founder/editor of The Holiday Café. She works full-time at the University of Pittsburgh and she has two amazing boys that keep her busy, along with a whole host of other things.  Check out her website .

Kaylyn Sheller - Artist










Kaylyn Scheller is a middle school visual arts teacher and musical director for the Lower Burrell School District and a professional photographer and designer for her business, Constellations & Co. A graduate of Mercyhurst University with an Art Education degree and Dance Performance minor, Kaylyn centers her life on the arts in every aspect, especially teaching the next generation. In the off months between school years, she enjoys pursuing freelance projects and maintains her own creative outlet through her business, adding new visual works and documenting lifestyle-inspired, natural portraits for families and fellow artists. 


Website: www.constellationsandcompany.com

Etsy: https://www.etsy.com/shop/constellationsnco

Instagram: @constellationsandcompany

Facebook: @constellationsandcompany

YouTube - Interviews

 Hi Everyone 


I am doing something new and fun... I am interviewing authors, editors, illustrators, anyone that has anything to do with this sort of thing...

You can find my first interview on my YouTube channel - thank you Angele Ellis for being the first interview.  I was nervous how this would turn out being the first and I think it went well.

If you want to get interviewed - Let me know, email me at holidaycafe.nicole@gmail.com


Luke Weltz Band

 1. Tell us a little about Luke Weltz Band...

- The Luke Weltz band is a Folk rock, Indie, Soul, and Blues band from

Western Pa. Luke Weltz founded the band August of 2020 shortly after beginning his

first album back in May of 2020. The band has a great amount of energy and can really

grasp an audience. They do some covers but their knockout punch as a band is their

original material. “Florina” is the title of the debut record that was done at Apple Eye

Studio. Sean Rugh (Sound engineer/ drummer) owns his own private studio with his wife

Brandie Servello in Slickville, Pennsylvania. He has also helped produce some of the

works off this upcoming 15 track LP. The album has a mix of songs and each song has a

different vibe. The music seems to relate across the spectrum of human emotions.

Luke Weltz has been a pianist for 19 years and also plays bass in the band.

The Luke Weltz Band is currently performing shows around Western, Pa. You can find

them on Facebook, Instagram, YouTube, and TikTok.

2. What kind of music do you play?

- The music ranges from Folk rock to Soul and Blues. The original content is

driven by Blues and Soul with some Folk rock and a 90’s touch. . It’s hard to say which

genre the Luke Weltz Band Falls into. Covers include ones from Eric Clapton, Bad

Company, Audioslave, Tom Petty, Elton John, and more.

3. Where did your love of music come from?

- I began playing music when I was 8 years old. My love came from watching my

grandmother play. She was an organist and member of the church choir. I could see the relief and

joy she would get from playing music and I wanted to experience those emotions. Since then I

have developed a great bond with music and how it makes me feel. I was lucky to have someone

in my family who played music. It inspired me to pursue music going forward.

4. Where can we find you perform?

- I perform regularly around Western, PA. I also perform solo and duo acoustic

shows. Here are some upcoming show dates with the band.

July 2nd: The Luke Weltz Band @ 1700 Penn Ave in Pittsburgh, PA

August 1st: The Luke Weltz Band @ Bella Terra Vineyards in Hunker, PA

September 25th: The Luke Weltz Band @ E- Train Music Festival in Homer City,

PA

For more dates Visit Lukeweltz.com

5. Where can we get your music from?

- Once the record is available people can find it on Apple Music, Spotify, Sound Cloud,

and other streaming services.

6. Words of wisdom to future musicians?

- I would say get through the years where you are going to have failure and make

mistakes. It’s miserable. It’s not fun but it is necessary for your development as an

artist. Also accept who you are. With a very distracting world out there it can be

easy to forget why you’re doing what you’re doing. Developing purpose, passion,

mental fortitude, determination, and humility will help you tremendously.

I would also say take care of your body. Don’t let the night life take years off your

health. Get into your health. The physical stress will help you manage mental

stress with time. I couldn’t tell you how many musician I’ve seen that are

tremendous on stage but also like alcohol, bad food, and other things associated

with inflammation. You control it so it should be easy. Right?

7. Social Media links... where can we find you on the internet?

- You can visit my website and hop onto our email list at:

Lukeweltz.com


You can also find Luke’s Podcast Channel “ Worst Case Podcast” here:  

Links: 

Band Facebook: https://www.facebook.com/LukeWeltzBand/ 

Band Instagram: https://www.instagram.com/lukeweltzband/?hl=en 

Luke Weltz Music: https://www.facebook.com/WeltzProductions/ 

Apple Eye Studio: https://www.facebook.com/soundsource2020/ 

YouTube Page:  https://www.facebook.com/soundsource2020/

TikTok: https://www.tiktok.com/@lukeweltzband


Musings for Moms - Summertime



I am warning everyone, this post goes over a lot of random topics, but it is all stuff that has been on my mind.... 


We survived this crazy school year and we are in the middle of summer vacation.  Ever since my oldest was in kindergarten, I started the tradition of taking him for a movie on the last day of school. It was always an adventure...  When my youngest started kindergarten we took him along too... then COVID came around, no movies for the end of school in 2020.  Instead we rented or is it downloading, whatever, a movie and watched it at home with ALL THE SNACKS.  This year, we delayed the last day of school movie as there wasn't anything particular that we wanted to see in the theaters and I feel over the last year and quarter we have watched all the movies Netflix, Amazon Prime and all the other services have to offer.  We are going to go soon.  Does anyone else do last day of school things that have become traditions?  

Speaking of all the snacks, the snacks were not so kind... I gained a few pounds from those snacks and just generally not wanting to move... I started moving again a few weeks before school let out.  I started to jump rope while waiting outside for my kids buses to come.  Every day I increased the number of rotations I would jump.  It was a rough start... gah I was so out of shape.  I take a day off here and there, because I am not a machine, ha!  I have lost a few of those snack pounds I had gained and I generally am enjoying the workouts... 

I was trying to figure out a way to segway this next topic on my noggin into the post nicely - and I can't think of a smooth transition from workouts to swim suits... 

Last summer I would pack-up my laptop, get my boys and drive over to my in-laws who have a swimming pool.  I would work poolside while they would swim, when I logged off for the day, I would sometimes join them or other times we would go home and figure out what to make for dinner.  I noticed that some of my bathing suits were triggering migraines... I know what you are thinking - HOW is that possible?  For the past several years I have gotten migraines here and there and have been given special medications for them.  The thicker halter top strings would lie on my neck in just a bad position I suppose that would cause a migraine if I wore the suit too long.  

This year I wasn't going to put up with that nonsense.  I was on a mission, albeit a little difficult of one.  Stores still had their fitting rooms closed and with those extra pounds I had from ALL THE SNACKS I was a little nervous about fitting into untried on suits.  Anyway, I started my searches on Amazon.  I started a list of the ones I thought I would like, which was difficult.  I like a 2-piece, mid or high waisted.  No need to show off the c-section scars and whatnot... I am particular (I know, this is a shock to some of you).  

I feel like the swimsuit industry has changed so much in the last few years and not for the better.  I feel like there are two categories of bathing suits out there and if you aren't in your 20's or 60's you are out of luck.  Not everyone is built with the same body type... and sure there are a few options out there - but man if I was capable of manufacturing a swimsuit... 

Why is it so hard to find a bikini top that doesn't show side-boob or under-boob.  I want to be able to lift my arms and not have anything fall out. I want more than a strip to cover the girls.  And I want a clasp that is adjustable and doesn't just willy-nilly pop open.  And don't even get me started on bottoms... I didn't realize thongs were a thing in the county I live in... sure you will see them at the beaches (and when I was little it was only certain beaches that they were on) but never at the public pools.  I saw at least 3 of them at the wave pool the other day... well two were definitely thongs the other was not but she was wearing it as such.  Hey and if you have the bottom to wear that and the confidence - good for you, I have neither of those... I also have those two boys and neither of them needs to see that much of their moms behind.  

I love the look of the tankinis but those - I have tried a few and everyone I had issues with... the tops would either be too tight and rollup or too loose and just not do what it is supposed to do... which is hide all the stuff I don't want people to see... 

Men have it so much easier - the husband ordered a few suits and he is good to go... I am researching comments and everything else before I add to my cart and purchase... 

Oh well... 

Enjoy your summer!!



Nicole Leckenby is the co-founder/editor of The Holiday Café. She works full-time at the University of Pittsburgh and she has two amazing boys that keep her busy, along with a whole host of other things.  Check out her website .




Thursday, April 1, 2021

Letter from the Editor - Spring 2021

Hello Cafe'ers


Happy spring everyone.  

Hope everyone is doing well.  Sunshine and warmer temperatures are on the way.  We have a great issue full of interviews and artwork.  

As always, send in submissions to holidaycafe.nicole@gmail.com thank you.  Check out our Facebook group page too, if you get a minute.

Wishing everyone continued good health, stay safe

Nicole


The Holiday Cafe

Kim Maverick

      “I had the pleasure of working with Kim Maverick awhile back at the Schoolhouse Studio in Greensburg, PA. It was an awesome experience helping her bring drum tracks to life for a great batch of songs. 

             One of my favorite traits about Kim is her creative drive. She seems to pull inspiration from anywhere and channel that into superb songwriting. She also has a very focused attention to detail and works really hard at her craft…and that is far from easy being a mulit instrumentalist and composer. Her open-minded & musicially diverse approach to music enables her to be an ever-evolving artist.”

                                                   -Chris Belin, Freelance Drums & Percussion. 

              

Photo Credit: Christopher Hyzy




1) When did you realize you wanted to be a musician?

I was obsessed with music as a child. I started piano lessons at five years old, but I was always more interested in pop music than classical. I loved memorizing lyrics and trying to figure out songs by ear. I thought it was amazing that melody could make words hit harder emotionally, which is a big part of what drew me to songwriting. I started my first “band” when I was eight and ever since then, making music has been the only thing I’ve wanted to do.


2) Who are your earliest musical influences?

I’m grateful that my parents exposed me to many different music styles, from doo-wop and show tunes to pop-rock and glam metal. Madonna was my first idol, then Shania Twain and Jewel inspired me to write songs. Hearing Amy Lee's voice in Evanescence led me to hard rock, and in high school, I discovered Iron Maiden. I’m also really lucky to have had excellent music teachers who taught me to stay curious and open to everything.


3) Tell us about landing the Howl at The Moon gig?

I first heard about Howl at the Moon from a Facebook ad that said “Rockstars Wanted!” I was living in LA at the time and applied online. I moved to Pittsburgh in a whirlwind and was stunned to see a new Howl under construction downtown. I encouraged a friend to apply, then got my chance to audition a few months later. I love being a Howl entertainer because of high-energy performances and musical challenges. When I was hired in 2015, I only played piano and had maybe a dozen cover songs in my repertoire. Getting paid to learn drums, bass, and hundreds of new songs was a dream come true. I also love the experiences I’ve had playing with different musicians. We often joke that we’re an “arranged band marriage” since we’re hired first as individual players, then we’re thrown together on stage. We’ve gone through a few lineup changes over the last five years, but it keeps the job interesting, and I’ve learned so much from everyone I’ve played with.


4) What are your future music plans/goals post-pandemic?

When everything shut down, I was only seven months into a new position as Entertainment Director at Howl Pittsburgh. The role is all about creating fun moments in the show and coaching new entertainers. We don’t yet know when the club will reopen, but I’m eager to get back to work as soon as it’s safe for our guests and staff. In the meantime, I’ve been finding a lot of joy in songwriting and performing online. I’m a partner on YouNow, a social live streaming platform. The show I play online is much more laid-back than Howl, with my original songs and stories mixed in with covers and requests. It’s been wonderful to find an audience and get feedback on my music from the comfort of my living room. So, I plan to keep streaming post-pandemic. Through YouNow I also joined an amazing project called WeCreateNow, where we do something creative every day based on a photo and prompt drawn from the community. We’ve on a streak of over 250 days full of songs, poetry, and art of all kinds. WeCreateNow has been a saving grace for me through the pandemic and I’m determined to help the project grow. Anyone who wants to join us is welcome at bit.ly/wecreatenow.


5) I’ve heard great things about your original music, are you planning on releasing it in near future?

After a rollercoaster of emotions from my last band breakup in 2016, I found myself writing a lot but hesitant to release anything. It’s easy for me to get excited about the music I made with friends, but I didn’t have the confidence or motivation to be a solo artist. That’s gradually starting to change, thanks to the audience I’ve found live streaming. I quietly released a single this past October, called Coffee. It’s the first thing I’ve made 100% on my own, and while it isn’t perfect, I’m proud of it. I’m learning to think of releasing music as a practice just like writing and performing. This year I’m planning to put out a few more songs that people have enjoyed on stream, to keep honing my skills as a producer.


6) What advice would you have for someone wanting to start a music career?

I believe that music is a service industry. There are a million different ways to have a career in music, but all of them involve being considerate of other people, whether those people are clients, collaborators, or fans. Learn to balance your ego with kindness, because kindness is a superpower. Think about how your skills and creative work can help others. And always remember, you get to choose your definition of success. Try to enjoy where you are today, even as you work towards your big dreams.


7) What is it like teaching vocal lessons? Any stories or experiences you’d like to share?

I kind of fell into voice teaching by accident. I loved singing but I wasn’t very good at it, and even though I was studying voice in college, I didn’t feel like the lessons were helping. My mom’s friend asked if I could coach her son, who landed a spot in his school’s musical, and I agreed half-heartedly. Preparing for that first lesson, I searched Wikipedia for how the human voice works. That sparked my curiosity, and over time, learning to teach made me a better student. I started to seek out different teachers and in 2011 I found a workshop in Estill Voice Training. EVT approaches singing as an athletic activity, where the anatomy and physiology inform how you practice. I got hooked on the exercises that target specific structures of the vocal tract, and for the first time, I felt and heard an actual improvement in my singing. Estill Voice International is headquartered in Pittsburgh and that was a big part of the reason I moved here. I finished my certification as an Estill Master Trainer in 2017, and today I’m thrilled to be sharing this knowledge with others. My favorite thing is working with singer-songwriters, because EVT allows them to create their unique sound, instead of imitating others. Unfortunately, my schedule doesn’t allow me to teach many one-to-one private lessons anymore, but classes and workshops have been a lot of fun. This past January I started a program called the Immortal Song Circle, for singer-songwriters who want to develop their voice, lyrics, and self-accompanying skills. It’s very similar to what I teach new entertainers at Howl, with more focus on personal artistry and brand identity. We meet twice a month for a masterclass and song feedback session. For more info, visit kimmaverick.com/immortal-song-circle.



My links:

Website: kimmaverick.com

YouNow: younow.com/KimMaverick

YouTube: youtube.com/KimMaverick
Discord: bit.ly/kimmunity

Twitter: @kimmaverick8
Instagram: @kimmaverick8
TikTok: @kimmaverick8

 

Howl at the Moon Pittsburgh: howlatthemoon.com/pittsburgh

WeCreateNow daily creativity community: bit.ly/wecreatenow

Estill Voice Training: estillvoice.com

Natalie Belin is the author of The Many Colors of Natalie, a book of poetry.  She holds an associates degree in Specialized Technology Le Cordon Bleu Pastry Arts and in her spare time is an artist and percussionist.


Pittsburgh Roses

 



Acrylic paints on stretched canvases

Desiree Harrison currently works for the University of Pittsburgh School of Dental Medicine as a Clinical Administrative Coordinator. Since 2018, she has worked with dental students and residents while handling patient care, financial counseling, and much more. In Fall of the same year, she enrolled in the College of General Studies to pursue a bachelor’s in Media and Professional Communications with a Digital Media certificate. With a set graduation of December 2021, she is ready for opportunity and success. 

Despite her schedule, Desiree discovered the joys of acrylic painting: lately she’s used canvases and wooden carvings. Her work varies from acrylic abstracts, landscapes, animals, and more with different techniques. Due to COVID-19, her family hosts “family painting night” to keep everyone’s creativity flowing. For gifts or therapy, she hopes to continue exploring acrylics and sell her artwork. 

To Find Desiree

IG is dmh.warrior

Email is desiree.harrison7@gmail.com

"DM for inquiries on how to get personalized art by DMH" 

Afro Power

 


Desiree Harrison currently works for the University of Pittsburgh School of Dental Medicine as a Clinical Administrative Coordinator. Since 2018, she has worked with dental students and residents while handling patient care, financial counseling, and much more. In Fall of the same year, she enrolled in the College of General Studies to pursue a bachelor’s in Media and Professional Communications with a Digital Media certificate. With a set graduation of December 2021, she is ready for opportunity and success. 

Despite her schedule, Desiree discovered the joys of acrylic painting: lately she’s used canvases and wooden carvings. Her work varies from acrylic abstracts, landscapes, animals, and more with different techniques. Due to COVID-19, her family hosts “family painting night” to keep everyone’s creativity flowing. For gifts or therapy, she hopes to continue exploring acrylics and sell her artwork. 

To find Desiree 

IG is dmh.warrior

Email is desiree.harrison7@gmail.com

"DM for inquiries on how to get personalized art by DMH" 

PAOLA CORSO - Interview

1. Tell me a little about yourself

All of my books to date reflect who I am. I identify as a Pittsburgh native, daughter of Italian immigrants from an extended blue-collar family working in a steel mill, plate glass factory, mirror works, the produce business. The highest complement anyone could pay me is to say I’m a poet of witness to working class lives, to those who are marginalized and struggle to be accepted for being “other.”


2. Tell me a little about the book you just published?

Here’s the publisher’s description:

In Vertical Bridges: Poems and Photographs of City Steps, Paola Corso celebrates public stairways in her native Pittsburgh and around the world. Inspired by her Sicilian grandfather, a stonemason who built concrete steps, and her Calabrian grandfather and father, steelworkers who once climbed them to the mill, Corso is a storyteller. She shares memories of her family, the history behind Pittsburgh having more public staircases than any other city in the country, and curiosities about some of the world's most famous steps. Vertical Bridges includes photos by the author along with archival photos from the University of Pittsburgh Library's Pittsburgh City Photographer Collection. 

3. What is your writing process like?

Since I’m writing mostly poetry these days, I often will jot down a phrase or scribble a rough sketch in a pocket notebook that I carry in my purse. Of course, I could do that on my phone but prefer the tactile experience of handwriting on a piece of paper. It could also be a line of dialog that I heard or a connection I make when I’m mulling over my thoughts. I go back to my notebook and see if I can take one of these and develop, often times, within the theme of my current body of work.  

                             

4. What is your writing process like?

I cofounded Steppin Stanzas, an art and poetry project celebrating city steps. Andy Edwards and I wrote wrote poems inspired by city steps and performed them with musicians and dancers on the steps. 

But then a day came when steps weren’t just an artistic endeavor with my group Steppin Stanzas.  I remembered my personal connection to steps. My maternal grandfather was a stone mason from Sicily who built concrete steps.  My father and paternal grandfather lived up the hill and worked in the steel mill along the river. 

And when I discovered a set of steps near their house buried in leaves, that was an epiphany for me. Those steps were built for steelworkers like them to commute to work, steps as our first form of public transportation. 

I have a poem about my father and his brothers picking my grandfather up from the mill on his last day as a crane operator before he retired after 47 years on the job. They saw to it that he wasn’t going to climb up any steps but ride home in style in a Cadillac they borrowed from a friend. 

5. What's the most important part of writing a poem?  

Along with all the poetic elements such as imagery, rhythm, sound, and remembering that less is more, I want to find a poem’s emotional center. Explore and deepen the feelings they invoke in me then craft the poem so it’s conveyed to my reader. If someone reads my poem and says beautiful imagery, for example, but don’t know what to take from it, then I haven’t succeeded.


6.  What makes a good poem? 

Writing and rewriting. I am a believer of multiple revisions. Some changes may be major and the equivalent of deleting and replacing stanzas that aren’t working to advance the poem, some minor, such as coming up with a better word choice to convey the tone I’d like to come across, or deleting an article before a noun, an alternate title.

I workshop everything with my writing group and revise before I consider submitting for publication. No matter how books I’ve published, I recognize that while I strive to be objective about my own work, it’s a sure thing with my writing group. Taking a writer seriously enough to offer honest, constructive feedback and following it as one can is what makes for a good poem.  


7.  Where can we find your book/social? 

Info on my website: 

http://paolacorso.com/

Amazon.com

https://www.amazon.com/Vertical-Bridges-Poems-Photographs-Steps/dp/1989305059

Karen’s Book Row

https://bookshop.org/books/vertical-bridges-poems-and-photographs-of-city-steps/9781989305058


Littsburgh:

https://www.littsburgh.com/start-reading-vertical-bridges-poems-and-photographs-of-city-steps-by-paola-corso/


Pittsburgh City Paper:

https://www.pghcitypaper.com/pittsburgh/paola-corsos-vertical-bridges-pays-tribute-to-pittsburghs-beloved-city-steps/Content?oid=18561395


Watershed Books Review:

https://thewatershedjournal.org/2021/03/15/vertical-bridges-a-review/


Nicole Leckenby - Latest Children's Book Released


 
COVID is my latest children's book.  It tells the story of a little boy who is trying to navigate his way through this past year dealing with COVID restrictions and learning.  It is full of rhymes but in no way is it making fun of the seriousness that is going on.

The book is sold on Amazon and for each book sold $1.00 will go to the charity Safe Place.

Why Safe Place?

I think the Coronavirus Disease (COVID-19) has been tough for a lot of people, not just adults, but children as well. Many of them are not in a safe environment right now. Safe Place® designates businesses and organizations as Safe Place locations, making help readily available to youth in communities across the country. Youth may access help at any location with the yellow and black Safe Place sign. They may also access help through the Safe Place texting service, TXT 4 HELP, by texting SAFE to 4HELP (44357).

Safe Place is helping keep our kids safe. So many kids are at risk of immediate danger (even simply walking home from school), human trafficking, bullying, suicide, and a number of other reasons. If kids are aware of Safe Place before a crisis happens, they know where to turn if/when it does. Learn more about Safe Place at www.nationalsafeplace.org.

I am also giving a few interviews this Saturday to promote the book.  Stay tuned...

Nicole Leckenby is the co-founder/editor of The Holiday Café. She works full-time at the University of Pittsburgh and she has two amazing boys that keep her busy, along with a whole host of other things.  Check out her website .

Ole’s Wild Ride

 It all began at the trailhead following his group’s weekly hike in the mountains. A vile odor rose from Ole’s right hiking boot. Somewhere along the trek he’d stepped in the leavings of a dog whose owner hadn’t picked up.

A nearby stream presented the opportunity to rinse the pungent excrement from his footwear. But before Ole could begin, their punctilious hike leader ordered everyone to board their rented bus for the two-hour trip home. He waved off entreaties from Ole about his predicament. 

Within a few hours, the speeding bus had descended the mountain into mid-day temperatures near blazing hot, a stark contrast to the freezing temperatures at the trailhead that morning. The heat would have been less of an issue had the air conditioning on the aging bus not taken the day off. 

As the heat intensified people sitting near Ole’s offensive footwear began glancing his way, their noses twitching with discomfort. Clearly, the soiled footwear needed urgent attention. The rising temperatures had also created an urgent need to shed the long underwear from his sweltering body, donned against the chilly morning.

He headed for the toilet at the back of the bus. 

A sign inside the door informed occupants the light switch could be turned on once the latch was engaged. It performed as promised, at first. He was half disrobed when the light went out. 

Ole’s search for the switch was complicated by the pitching and lurching of the bus, throwing him around and bouncing his partially clad body off the toilet walls. Eventually, he located the switch and turned on the light. He resumed disrobing. A few seconds later, it went off again. 

Once more, Ole fumbled around in the dark for the switch as the bus careened its way homeward. By now he was half out of those long johns, with his outer clothing in the dark somewhere on the floor beneath his feet. That’s when the bus took a sharp lunge sideways, throwing him hard against a wall. Ole’s hip slammed into a button that flushed the toilet. Beneath the closed lid, it sounded like a 747 taking off. 

Ole remembered another sign on the wall when he’d entered. It cautioned occupants to sit while doing their business, the wisdom of that advice now readily apparent. He decided to get dressed and then figure out how to clean the doggie detritus from his right boot, in the dark or not. 

But first, being fastidious, he thought it prudent to wipe the seat before depositing his posterior. He lifted the lid. That’s when he learned two key facts: 1. the lid and the seat itself were dripping wet, and 2. the lid had been concealing a rush of air now screaming loudly skyward from the depths of the toilet bowl. 

What to use to wipe it? Ole felt around in the dark until he found the toilet paper dispenser. He wiped the lid and the seat. Then he balled up the soaking wet remnants and pushed the button for a few more seconds of light. 

Then came his next mistake: he tried to flush the wadded-up soaked toilet paper. Wrong! The intense wind that came screaming from the depths of the open toilet grabbed the soggy paper ball, flinging it to the ceiling where it stuck in a disambiguated mass. The wind also reversed the direction of the flushed water, with dire consequences. And that’s when the light went out again. 

There he was, standing in the dark, his long johns down around his ankles, his body and clothes soaked with moisture of dubious origin ... his bushy hair dripping with that mysterious liquid concoction. 

Through all of this, Ole’s right boot remained invidiously odiferous. 

Wedging his body into a corner of the toilet, he struggled out of his long johns and donned his pants and shirt, both now dripping wet. Reluctantly, he stuffed his feet, clad in dripping socks, back into his hiking boots, and then located his semi-dry jacket hanging on the door. 

For a fleeting moment Ole considered using the toilet for its intended purpose. He lifted the lid and then promptly abandoned the notion. The screeching wind was convincing; he knew his clothing would end up wearing anything he chose to deposit. Past experience with RV’s suggested the screeching wind might have been caused by a missing cover for the holding tank drain, allowing wind from the speeding bus direct passage into the toilet bowl. 

Now soaked and disheveled, Ole felt around with his wet hands to locate the door latch. The light came on and this time stayed on … one final insult. With teeth clenched he headed down the aisle of the bus to the front, there to inform the driver about the malfunctioning toilet. 

Damp and disgruntled, and with his wet long johns draped over one arm, he began making my way back in the swaying bus toward his seat under the curious gaze of fellow passengers. The driver chose that moment to announce over the intercom that the only toilet was now out of service. All eyes focused on Ole as the presumed culprit.

The best part of the return trip was that his 82-year-old seat partner stayed true to form. During bus trips he would install ear buds, and promptly fall asleep listening to his favored classical music. Mercifully, he obliged again.  

At home, Ole would later confess it was easy to tell that he’d arrived. Outside on the front steps lay his discarded hiking boots, wet and continuing to smell disgustingly rank. Just inside the door lay his now semi-dry jacket, dropped in a heap in the front hallway beside the closet. On the stairs up to his bedroom slumped his damp shirt. And on the floor beside the merciful caress of a steaming shower was the rest of his clothing. 

I’m so blessed to have an understanding spouse, he thought as water from the hot shower pelted down.

#

(Creative Non-Fiction)



James Osborne is the author of the Amazon #1 international bestseller THE ULTIMATE THREAT, an account of the rise and fall of the terrorist group ISIS. His four traditionally published books include the award-winning SECRET SHEPHERD, a suspense/mystery novel. 

Osborne’s varied career includes investigative journalist, college teacher, army officer, corporate executive, business owner, and writer/editor. Examples his work can be found on his Amazon author’s page: www.amazon.com/author/jamesosborne